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Macau since 1949:

Since the end of the Chinese Civil War, Macau has grown tremendously in regional significance, shifting from a valuable entrepôt to one of the largest hubs in the Far East. The vast majority of refugees who fled to the territory have been allowed to stay, with 150,000 having already secured territorial residency (the closest thing to citizenship for non-ethnic Portuguese in the overseas territories at present), bringing the total resident population up to 350,000 (the remaining 150,000 have ten-year work permits). Of the 300,000 residents who have arrived since 1939, approximately 100,000 have settled on the Macau Peninsula, 50,000 on Colaone Island, and 150,000 on the previously under-populated Taipa Island (see map as attached). This has left much of the territory covered in slums, although a central government-supported programme to provide interest-free mortgages to refugees and new residents has led to the establishment of medium-quality, high-density housing across much of Taipa Island and the Peninsula. Small scale industry and locally-owned businesses have also taken off across the territory, as migrants attempt to start a new life in the bustling city.
The Macau of 1957, therefore, finds itself with an affluent centre of business on the Peninsula, flanked by emerging neighbourhoods and slums in the south and east, a highly-populated emerging cityscape on Taipa Island, with a central nucleus of emerging neighbourhoods (predominately featuring high-density, apartment-style housing) surrounded on all sides by slums and small scale factories, and a still under-populated Coloane Island, which presently boasts some slums, farms, factories and traditional villages.
The vast majority of small scale industry in Macau consists of textiles manufacturing in factories set up by the migrants. That said, larger-scale industry has also emerged, including a major bicycle factory near the border with China and a rifle manufactory on the southern tip of the Peninsula. This is emblematic of the territory’s economic ascendance, as is the arrival of new waves of ethnic Portuguese, who have brought the European population of the territory up to 13,000 since 1949.

Commercial opportunities:

The signing of the Sino-Portuguese Free Trade Agreement (SPFTA) in 1956 has dramatically improved the economic prospects of Macau. Indeed, the near-complete removal of Chinese import tariffs on Portuguese luxury goods has resulted in the establishment of a number of luxury goods production facilities on the Peninsula, as well as the proliferation of dozens of prestigious vendors in the affluent portions of the isthmus. In addition to the basic textile manufactories set up by the migrants, a number of fashion outlets have also been established for upper-class visitors, and for deliveries to customers in China, Hong Kong, Japan, Australia and Southeast Asia. Jewellers, shoemakers, watchmakers, tailors, cordwainers and bag markers have all set themselves up in the territory, where they create their products, sell them to visitors and also export them abroad. Distilleries have also become popular, with the territory developing a positive reputation for its fine, locally-distilled whiskey, rum, gin and baijiu. An emerging brand of dark rum, known as ”Ventos Orientais”, has grown particularly popular. The rum is recognised for its distinctive flavour, being the only major rum brand to use Timorese sugar. Tobacco companies have also established high-end stores on the Peninsula, where they sell a number of recognisable international cigarette and cigar brands.
Otherwise, with the significant reduction of Chinese tariffs on precision-made products, a number of manufactories have popped up on Coloane Island, producing measuring equipment, precision medical supplies and levelling tools.
The Banco de Macau, meanwhile, has left a permanent mark on the territory by becoming the first enterprise to construct a ‘skyscraper’ (as they’re being called) in Macau, building its new corporate headquarters on the western side of the Peninsula. It has been joined by the Macau-Beijing Investment Bank and the Banco Afro-Eurásia, which have also begun construction on smaller, albeit impressive skyscrapers. Regrettably for the Banco Português do Continente e Ilhas and Montepio Geral Bank, who do not have enough capital for a skyscraper, three-storey office buildings have had to suffice.
In many cases, these banks have been instrumental in financing the recent expansion of the Macanese economy. The Banco de Macau and the Banco Afro-Eurásia, however, have sought to increase their regional presence even further by expanding into Thailand, the Philippines, Japan, Singapore and Indonesia. The Banco de Macau, in particular, is expected to make major investments in Japan, Thailand and Indonesia in the coming years.

Tourism and entertainment opportunities:

The recent introduction of Western gambling to Macau, along with the Banco de Macau’s heavy investment in new casinos, has led to a proliferation of the gambling industry across the territory. Dozens of small to medium, high-end, Western casinos now dot the Peninsula, while a number of traditional casinos have emerged on Taipa Island. Along with the emergence of a luxury shopping culture, the new casinos have proven extremely popular with affluent visitors from China, Hong Kong, Japan, the West and Southeast Asia. Many new hotels are being founded on the Peninsula to meet this demand, as well as a new, game-changing casino known as Casino Lisboa, which shall open its doors in 1960. Quite expectedly, the proliferation of gambling across the territory has only poured fuel on the metaphorical fire that is the gambling syndicate rivalry. New syndicates are now competing for an increased market share as outside factions interfere with the rivalry (see: the banks and Triads) and older syndicates desperately battle to preserve their local hegemony. Already, this rivalry has been given a morbid monicker, becoming known as the ”Bloody Game (残忍赛)”. This name is quite deserved, given that syndicates of all sizes have gained a reputation for sabotage, death threats, murder and murky alliances with the Triads as their deadly rivalry spirals out of control.
Beyond the casinos, new bars, restaurants and nightclubs have been established across the territory, catering almost exclusively to high-end visitors and the Macanese elite. The combination of modern, dimly-lit bars, domestically-made liquor, prestigious fashion brands, international visitors and high-stakes games of poker have given Macau a distinct flavour, with the city increasingly being known as the ”City of Jazz (爵士城)”. Regular ferry trips between Hong Kong and Macau, coupled with daily/weekly flights to Tokyo, Beijing, Singapore, Manila, Shanghai and Bangkok are only improving this reputation.

Future infrastructure:

MAP
The huge population increase on the Taipa and Coloane islands have put immense strain on the intra-Macau ferry service. Hoping to alleviate this strain, the Macanese territorial government has announced a new project to connect Taipa Island to the Peninsula with a new bridge. Inspired by the Ponte de Liberdade in Lisbon, and designed by the same engineers, the bridge is expected to be completed by 1965 (marked in red on the map). The bridge is to be named in honour of the territory’s outgoing Governor, Joaquim Marques Esparteiro, being called the Ponte da Esparteiro.
Otherwise, recognising the strain which Macau’s rapidly-increasing population has had on the geography of the territory, a major land reclamation project is to be undertaken on both the Peninsula and Taipa Island. Zoning will take place ahead of time for the planned land, allowing preemptive property sales to help fund the project. Dutch engineers will be brought on for the project as a result of their vast land reclamation experience. Additionally, the Portuguese Navy is to assist with the project by providing auxiliary vessels where relevant. The new Peninsula-Taipa bridge will only extend across the stretch of water between the reclaimed land, with the connecting road that passes over the reclaimed land simply being raised several metres above the ground. (Land reclamation areas are marked in blue on the map, along with their planned year of completion).
Finally, in order to prevent a potential bottleneck of manufactured goods produced on Taipa Island from blocking Macau harbour and the Ponte da Esparteiro, a new industrial dock is to be constructed on the island, to be completed by 1964 (marked in orange on the map).

Vice and crime:

As previously noted, the expansion of the gambling industry has also spawned an intense rivalry between the syndicates. Indeed, the increased prevalence of vice across Macau has created an opportunity for the Triads, who already enjoyed a strong Macanese presence before the territory’s expansion, particularly on Taipa Island, the Peninsula casinos and in the slums/emerging neighbourhoods in the north. As the "Four Major Gangs (四大黑幫)” of Shui Fong, Wo Shing Yee, 14K and the Big Circle Gang have grown in importance, they have gained large footholds in the new neighbourhoods, where they run extortion rackets and loan shark operations, targetting small businesses, nightclubs and traditional gambling dens. Human trafficking has also emerged as a dangerous front, as the Triads seek to smuggle in illegal workers and, in the case of the nightclub sector, “waitresses”. Finally, the counterfeiting of patacas (Macau’s currency) has increased prolifically, as the Triads seek to use fake currency to make large bets in the casinos.
Though Indonesia’s provision of detailed intelligence on Triad drug smuggling operations in Macau has resulted in a massive crackdown on that particular area of organised crime activity, the Triads appear to be gaining ground on almost every other front, creating a complex interplay between Macanese businesses, rival gambling syndicates, law enforcement, local politicians and the Four Major Gangs. Hoping to assist the struggling territorial police in eradicating bribery, human trafficking, extortion, loan sharking, murder and counterfeiting, the SIS (basically the Portuguese FBI/secret police) and the Customs and Finance Intelligence Service (CFIS) have created a joint task force known as Operation Varrer Profundo (Deep Sweep). This operation will see the two agencies create large, permanent offices across the territory, cracking down on the Triads and illegal gambling syndicate activity by sending in hundreds of agents. Thus begins what many expect to be a years-long cat and mouse game between Portuguese authorities, the Triads, the gambling syndicates, corrupt politicians and the business sector

I
Miller was sitting in a chair by himself, off in a corner of the poker room, head bent and eyes riveted to the pages of a book. Probably Zen or a gambling story, thought Toby. He peeked down at his two hole cards, a 7 and a 4. He folded and said to the dealer “meal chip” and got up and walked to the bar. He glanced at Miller but only for so long, Miller was so ugly that it was impossible to look directly at him for more than a few seconds. “Maybe that's it,” Toby reflected, “maybe his appearance is why it seems there is a shield around him. It’s impossible to approach him let alone have a conversation.” Miller’s age was impossible to determine, but it was generally acknowledged that he was twenty years younger than he looked.
Toby would have been happy to forget about Miller but the rumor going around was that Miller knew something that everyone in the poker room wanted to know, specifically, how did Miller always end up winning against the most fearsome and avoided poker player in Cook County, Mick Poodles. Poodles always had it, and when he didn’t he made you believe he did. He was impossible to read and sometimes it was felt that he could see through your cards and into your soul. “Soul Reading” it was called, but Toby didn’t believe in black magic or voodoo or soul reading. God dammit, Mick had a scheme going but nobody knew what it was and now here was Miller, making one of his sporadic appearances in the card room. Klein Perkins walked into the bar at that moment and touched Toby on the shoulder. “Tonight is gonna be special, Miller, that ugly fuck, see him, he’s over there in the corner, he’s waiting to get into the $25/50 No Limit game, and Poodles is sitting in it.” Klein pointed to the upper tier of the room, and Toby nodded. “I reckon Poodles has had just about enough of Miller, tonight is the night Miller gets his ass handed to him.”
Miller, contrary to the opinion’s of the poker room fellows, had a wider book range than was expected. He was reading Down and Out in Paris and London for inspiration, in order to keep things within the vision of his gratitude. For as much as it would appear that Miller had little to be grateful for, he always thought himself lucky, favored by fortune. He would look in the mirror when shaving and avert his eyes after a few seconds and even this daily ritual of being horrified by his own reflection did little to dampen his view that life, most likely a little hell hole that got separated from a bigger hell hole, had moments, certainly rare, but for that all the more special, when all of the disparate things in a scene came together with every object resonating to every other object, moving forward according to some grand, good plan. But now Miller became confused because even though he felt blessed to have such far flung notions, it always seemed that just as he was about to have an insight, something that would cause his life to change, the thought would pop like a soap bubble and could no longer be examined with precision, just some lumpy memory that would remain buried in his mind until 10 years later when he would be standing on a sidewalk in some dirty city and the soap bubble would re-incarnate and he would smile at its unforgotten idea and how a moment in the present connected with a moment in the past had revived it.
Miller stood up and placed his book into his bag, collected his coat and his chips, and walked to the upper tier and sat down at the $25/50 no limit game, placing all of the money he possessed upon the green felt.
II
Miller did not say anything. Nobody said anything to him. He tossed his player’s card to the dealer and stacked the chips in neat small rows. Some players liked one big stack going up 12 inches and higher, but Miller, as if acknowledging his place in the pecking order of things, would make sure his never went higher than 6 inches. His heart beat quicker when the first two cards were dealt, every time he sat down at a card table it was like having an appointment with God and God spoke to him, Miller, through the cards. Miller became confused again because he was unsure how he was supposed to talk with God, it was a one way channel, Miller got the cards from God and then Miller could do with them as he wished. Miller wondered if he was insane because when he won at cards he felt like the favored son, but if he lost it was like having his mother sucker punch him. Miller didn’t wear sunglasses because he knew nobody could look at his face for more than a few seconds, and after having folded his first hand, JJ, pre, in an unopened pot, he smiled inwardly because he knew only the insane played the first hand of a session.
III
Of course Miller won that night, just like he did all of the other nights. Toby and Klein had kept an eye on the table, on Poodles, and as much as they could of Miller. Little by little Miller ran the table into the ground, even Poodles lost. Miller’s style was, well, Miller as far as they could tell, didn’t have a style, he had the capacity to sit for 10 hours and play 1 hand or 100. He had all the characteristics of a fish, he played the cards and not the man. You could read him like one of his zen books, he played like the old man he was. “Fish on a Heater” was here applicable, but how long would it last?
Miller knew what people were calling him and it always offended him when he thought of the phrase, that it would be applied to him. “I can see the truth through three feet of mud” he thought, “that’s why I win, and surely that is a skill not everyone possesses,” and “I got your fish on a heater hanging, buddy”, and “jam it”, were a few of the offended thoughts that would come to his defense. Then he would get confused and think of more pleasant things, such as the hand from three sessions ago when he bluffed Poodles. He hated playing against Poodles, because Poodles was almost as crazy as he was. “The only player that beats you is the one that can let go of his last cent easier than you.” Miller smiled and did not get confused. Poodles was catching up to him, and the more Miller won the louder the approaching feet of fear became. For Miller, cards was not a hobby or a pastime, it was the ultimate test of character and fate – did mother, father, God, Buddha, Jesus, love him or not? Was the universe really just a series of acts that could be mathematically calculated, or could there be moments when the numbers could be skewed in favor of the miraculous?
Miller had nothing better to think about, he was too ugly, old, and poor to have a woman or a family to occupy his time and thoughts. Probably for the better. He was long past those stormy clouds of his youth when he believed a girl, because she possessed the most fantastically impossible beauty, was pure and innocent, saintly, would enhance and make his life shine. The problem, he thought, was when the saint walked away and I was left alone and it was like going from a room brightened by a summer sun into a cellar, damp, dark, and cold. The soap bubble popped and he sighed.
He decided to count his money and discovered that he won $4528. He had placed on the card table $47,486 and now he possessed over $50k. He had started with $500 and placed it all on a $2/5 table. Since that time he had not suffered a single losing session. He patted himself on the back and told himself that even though he had lost many soap bubbles over the years, sometimes one can float just long enough to make a difference.
An image of Poodles flashed into Miller’s mind and he went back to thinking about the bluff. He had 6 8 off suit and he must have been suffering from winner’s tilt because Poodles raised from the cutoff and he looked at the 6 8 in the small blind and called. He knew the moment he called that he was willfully walking into a mine field. The flop came J 8 5. Miller checked, and true to form Poodles bet a healthy sized continuation bet. Miller knew that Poodles would have a wide range from the cut off. Folding felt wrong, which meant the truth was closer to him having the best hand. He called. The flop was a 4. Miller checked and without much hesitation Poodles bet the size of the pot. Miller’s heart began to beat violently, it was as if Poodles had challenged him to a duel and Miller now had to decide if a pair of eights was worth dying for. Cards were easy if you knew the truth, and Miller was having a hard time determining if Poodles was telling the truth. If Parks was betting this amount on the turn Miller would know he was beat, but this was Poodles, fucking Poodles. He called. The river came a 10. Miller had once showed down quads and Johnson, the player he beat, said, “wow, I thought you were bluffing.” Poodles was sitting in the game and looked at Johnson and said “he never bluffs.” For an instant Miller felt deeply insulted, but determined that if Poodles really thought this he could use this to his advantage in a future session. It occurred to Miller that Poodles had simply wanted to insult him, and he most likely knew that he bluffed sometimes, or at least, rarely. Thinking about the insult and the table waiting for him to do something, Miller became confused and was now uncertain if Poodles thought him capable of bluffing. “Hell, if I go all in I could have the best hand, Poodles doesn’t have shit.” A few seconds later Miller thought poodles might have something, something better than eights. “All In,” Miller told the dealer.
Of course the bluff worked. Miller thought of Gordon Gecko and how selling real estate at a profit was better than sex. Miller, though ugly, was no virgin. “Bluffing Poodles is better than Sex.” He looked at the money on the table, over $50k. For someone like Miller, money was something hard to come by, and to have enough to last him 3 years, for he lived just as austerely as a Franciscan monk, made him feel a sense of exhilaration and freedom. However, he was not through with card playing just yet.
IV
Ten years ago when Miller traveled for the first time, it took him 3 years to return home via Bangkok and Las Vegas. It was the longest drink of freedom he had experienced and it made it that much harder to return to the world of work. Miller discovered early on that he was fit for nothing, and eventually the image dawned on him of a man living a useless life. He prepared himself for an early demise, one which he was still impatiently waiting for. He had relied upon his youth to land him the basest of work, but now that he was well past that his chances of finding employment were slimming in contrast to the expansion of his waist line.
Out of prospects and having little interest in work he decided to let the cards decide his fate. When his bank account dipped to $500 he took the bus to the nearest casino and placed all of it on the table. He did not know the details of what his actions were supposed to produce, but he figured he was either going home with a profit or going to the grave broke. He recalled telling an ex girl friend that if someone is contemplating suicide what needs to be done is a single drastic action. If the drastic action does not kill its hero, he will have changed so drastically from the experience that suicide will have long been forgotten. Miller’s drastic action was to risk his life on the turn of a card. Old and feeling unwanted, it was his last chance to get enough money for a return to the East and freedom.
And now he couldn’t lose. He did not know if it was dumb luck or if his determination to stare down the queen of clubs on the river was bringing him some kind of higher power, up there kind of luck. The problem he now faced was when to quit. When was enough enough? He had never had $50,000, surely that was enough for Miller? It occurred to him that with each passing session the risk of losing all of his cash was becoming more and more unpleasant. Losing $500 sounds easier to bear than losing $50,000, but in the end they both ended up in the same dead end skid row gutter.
And so he continued returning to the casino, once every two weeks, and tonight’s session will be his 24th , and, Miller decided, final one. He had accumulated $178,000 and as he sat down to take his seat in the upper tier, he placed all of it in neat 6 inch columns of chips. He recognized some of the faces, and of course Poodle was sitting in the 2 seat, and he watched him adding on to his stack. “Poodle’s coming after me, I feel it,” Miller thought, and his heart began to beat faster, beads of sweat forming on his furrowed forehead. Toby and Klein and a few others began to talk in low tones about something being in the air tonight, one of them, Poodles or Miller, were going to get gutted.
A few hours passed and Miller was quieter than usual, he rarely spoke but tonight his eyes seemed to be wandering to places other than the card table. Perhaps he was recollecting his childhood and youth, the girls he had known, the sorrows of his life, when he looked down and saw two red aces. He raised from the cut off and Poodles 3 bet him from the button. “This is it,” Miller thought, “the defining hand of my life. I understand who Poodles is now, he’s the final challenge to overcome, the colossus, the shark, dragon, and tiger, and here I am with a sling shot, exposed, but ready to stare him down on the river.”
It folded to Miller and he decided to just call. Out of position, his appearance of timidity, if he was going to win it was going to have to be by trickery, he knew Poodles was the stronger one. “I’m calling the dog down no matter what, this is the hand, Miller, take it to the river and take the outcome like a man.” The flop fell A 10 2, all clubs.
Miller checked. Poodles hesitated for just a moment and Miller picked up on it, something was not right, he thought, and Poodles does a continuation bet for twice the size of the pot. “He’s trying to push me off my hand. His aggressiveness is unforgiving!” lamented Miller. A crowd had gathered around the table, everyone could sense something big was happening. Miller called.
The turn brought the A of spades. A flood of chemicals filled Miller’s blood, it felt as if he had just had the biggest orgasm of his life, all of the tension that had been rising inside of him for the past few hours was now released in a flush of lavender scented bliss. He stopped thinking about what Poodles could have. He did it, Miller, the loser for life, had asked the cards to determine his fate and it had given him four big fat Aces! Miller felt loved as he said in a soft, timid voice, “check.”
Poodles must have the flush, Miller guessed, because Poodles fired a pot sized bet. There was almost $85,000 in the pot. A strange emotion came over Miller, he felt something like compassion for Poodles and decided to give him a chance to not lose his entire stack. Miller sat silent for a full minute, and then squeaked “all in,” and he began to push his chips over the line. Poodles looked irritated and said “just throw a chip in, you don’t need to push it all in there.” Miller kept pushing because he felt comfortable returning an insult with an insult of silence and non-compliance.
“Really, Miller? All of your money in on one hand. God damn. You know what, I’m tired of this shit, lets get it over with.” Miller watched as Poodles flipped in a single chip and said “CALL!” Miller had the habit of turning over his cards before the run out was complete and he flipped over AA and the crowd of men all began gesticulating and talking loudly. Someone shouted “Poodles has the royal!” and a big man with a red ball cap laughed and said “there’s no royal out there, dude.” The river was the jack of clubs. The room went silent, all eyes on Poodles and his two blind cards. Miller looked over at him. He knew, then, that you can’t become what you're not. Miller was a loser, and always would be. “Why didn’t I stop playing one session before this one. God, oh God….”
It felt like what death would be, everything fading into shadowed ghosts, like a curtain closing over Miller’s bloodshot eyes. A thundering mass of voices rose at once when Poodles turned over the king of clubs. He looked over at Miller and saw that Miller was red as a tomato and gazing into the rail. Without waiting he turned over the queen of clubs and the room erupted into cheers. Poodles had beat Miller, just as it should be. Miller stood up, watching his $178,000 being pushed away. Was it any different than had he lost $500 in his first session? Both equaled zero, but feeling rejected by God and standing alone in the middle of a circle of men had to be just about the worst feeling he had ever felt. He picked up his jacket and bag and turning around to leave he found Poodles standing in front of him, smiling. “Way to go, Miller, Nice hand.” Miller looked into Poodles eyes and nodded. Everyone was patting Miller on the back and extending their hands towards him. A floor man appeared and said in a loud voice “Poodles, it looks like you get the bitch end of the jackpot.” Miller’s eyes opened wide and his heart almost stopped and now he recalled the bad beat jackpot. He played so infrequently that he never thought it possible to win such a long shot. He was handed a slip of paper with the amount of his bonus winnings written on it. It was more than he had lost, by a lot. Miller smiled. His life still felt useless, but at that moment the universe was opening its arms to him. He had been slayed by the dragon and had not died. What he was going to do with his winnings he did not know, and he became confused. He had never before been so happy by the arrival of confusion.
TL;DR: just another shit post

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Straight Flush - Community Created Bonus Level

Level Name: Straight Flush Location: Bangkok Night Target(s): "The Crime Lord, "The Sheikh"
Objectives:

• Eliminate Henry Viceroy
• Eliminate Sheikh Afzal El-Hashem

Briefing: "Good evening, 47. Your targets are one Henry Viceroy, millionaire British crime lord, and Sheikh Afzal El-Hashem, an Arabian casino tycoon who uses his wealth to fund criminal and terrorist enterprises all over the globe. After the death of Thomas Cross, the hotel was put up for property auction and ended up being sold to El-Hashem, who quickly set to work transforming it into a luxury casino, while still retaining the general look the previous owner had set. Naming it the Golden Lotus, he called in some workers from one of Viceroy's secondary businesses, to whom he was already on good terms with, for a much lower price. However, during the construction, a government inspector and a group of 17 of Viceroy's employees suddenly vanished during a scheduled health and safety check and suspicion was immediately placed upon both men.
However, the criminals used their respective wealth and intimidation to blackmail, coerce and kill their way to innocence, destroying any evidence of criminal intent. This did, however, cause a rift between the two men, and ICA sources indicate that their relationship has been getting worse and worse, and the Sheikh's funding less and less.
Our client, the Royal Thai Government, has been gathering information on both the men, with the help of the British M16, and has finally collected enough to warrant a contract. They have told us that the casino is to be holding a gala for all, with some of Thailand's social elite; a night of gambling and drinking for the benefit of the El-Hashem, and for the further endorsement of Viceroy.
I will leave you to prepare, 47, good hunting."
Map Description: The hotel has been converted into a casino, and so has had a few changes. The trees and plants are now much straighter and uniform, the butterflies are gone and the main colour palette contains dark reds, dark greys, whites and greens. At the front door, there is a large rotating poker chip sign that reads, "The Golden Lotus - Casino And Hotel". The restaurant has had all the screens removed, and there are poker, blackjack and slots machines riddled around the room. The food stand now has party food instead of full meals: cocktail sausages, sandwiches, steaks, etc. The kitchen is basically the same, just with more boxes and crates around. The main lobby has basically the same layout, just with a disco ball and slot machines lining the walls. The hotel rooms have been done up in a more modern style, and are occupied by some very rich folk. Upstairs, above the old restaurant, the two Abel de Silva rooms are the restaurant and private smoking libraries respectively.
Unavailable Areas:

• Jordan Cross' whole side
• Morgan's Queen Suite
• The tuk-tuk's garden area

Unique Disguises:

• Bonchay Sampatoree, Senior Casino Administrator
• Mark Donovel, Head Chef
• Harvey Barnham, slots engineer
• Walter Tulley, senior accountant
• Sakchai Thaksin, undercover government official
• Janwa Hokchey, VIP oil baron
• Steve Olivers, Head Of Security for Viceroy

Minor Disguises:

• Casino Security (Sheikh)
• Card Dealer (Sheikh)
• Waiter (Sheikh)
• Chef (Sheikh)
• Bodyguard (Sheikh)
• Casino Doorman (Sheikh)
• Technician (Sheikh)
• Gangster (Viceroy)

Opportunities - Sheikh Afzal El-Hasem:

• A Drop Of Oil -
  
  • "That man is Janwa Hokchey, the millionaire owner of the Thai Oil Corporation, one of the most successful oil companies in the world. Intel suggests he is here for business as well as pleasure, to present the Sheikh a sample of his finest oil, a mutual business agreement for both sides. Money for oil, oil for money, etc. Perhaps we should try and get an ear in on that conversation, maybe more."
  • By getting Janwa's outfit, 47 can approach the Sheikh, you can take him to the oil and you will be left alone to talk. At some point during this talk, the prompt to "Push Into Vat" will appear and 47 will push him into the oil barrel and lock the lid, drowning him in oil.
• Justice Is Served -
  
  • "According to this kitchen schedule, El-Hasem is to be enjoying a dinner with his more distinguished guests and Viceroy, and is waiting for the Head Chef to notify him of his dinner's completion. The Sheikh is partial to a special type of stew his mother used to make, and would no doubt be fully interested if it were to be served as quickly as possible. Maybe we can add a bit of flavour to the dish..."
  • If you acquire any type of chef/waiter outfit, you may poison his stew. But, if you have the Head Chef's disguise, you are able to bring the plate to the Sheikh yourself, and he will be very excited just before he starts spluttering and choking and falls face first into his food.
• British Civility -
  
  • "It appears that Viceroy is set to meet with the Sheikh in a very private meeting, concerning future benefactor and funding ideas, due to the incident that led to our contracting. Viceroy has, apparently, been harbouring some very negative opinions towards the Sheikh, and is intending to blackmail him into paying more and more money into his endeavours, something I'm sure the Sheikh won't take lightly. According to this, El-Hasem will make his way up to the meeting spot as soon as one of Viceroy's gangsters makes the call, and Viceroy isn't noted for his calm demeanour. I imagine you can find this information useful, 47."
  • If you get the Head Of Security's outfit, you can make the call to the Sheikh to send him up to the meeting room. This will allow you to take him out privately, without Viceroy being there, or you can tell Viceroy that the Sheikh called and said he's making his way up to the meeting place, whereupon Viceroy will march to the meeting place. The conversation between them shall begin, with Viceroy getting ever angrier as the Sheikh mocks him, until he finally pulls out his switch blade and stabs the Sheikh repeatedly in the gut. There will be no bodyguards in the room, and Viceroy then stamps on the Sheikh's head and walks to the window, pulling out a cigarette and smoking on the balcony. If you don't push him over, he will walk out, motion to his bodyguards, and they will then shoot the Sheikh's bodyguard with silenced pistols, dragging him into the room along with the Sheikh. Viceroy will then just return to his route.

Opportunities - Henry Viceroy:

• The Lucky Number -
  
  • "Henry Viceroy is noted to be a gambling man, always up for the challenge of chance, and he is particularly partial to the slots machines. However, the slot machines have been acting up, lately, and the engineer called in to help hasn't showed up to work, yet. He has been called for multiple times, but he keeps not appearing, and the certain model has been noted to dispense more coins than needed, so the problem is a high priority. Maybe we should pay the man a visit, 47."
  • If you take the engineer's outfit, you can "fix", the slot machine, overpowering it so it'll shoot hundreds of coins out at once and be an instant win on the next play. As long as you are in the animation, no NPC will try and play it, so you can stop as soon as you see Viceroy coming. Of course, he will play and win and the coins will shoot up into his face, killing him instantly.
• A Cracking Deal -
  
  • "Playing cards is noted as one of Viceroy's specialities, and a place at the centre table has been booked by the Senior Casino Administrator, who is to deal in the game. If someone were to win, they'd be escorted back to the money counter for a while why they hand over the money; notably one of the more private parts of the casino floor. Maybe we should get a look on that game, 47."
  • 47 can do one of two things with this opportunity: A) 47 can get the SCA's outfit and work out the table himself, cheating and swaying the cards into Viceroy's favour, eventually having him win and get really excited. You can then walk him to the cash desk, ask the guards for some privacy and, as he is inspecting the money case, press the button on the shutter (if you have already broken it with a screwdriver) which will fall down and snap his neck, leaving him trapped between the desk, or you can just kill him any other way you want. B) Take one of the places at the gambling table, obviously cheat so that Viceroy notices you and follows you to the cash counting desk, shouting at everyone to get out. You can then grab the case and smash him around the face, or just kill him some other way.
• Undercover, Under Fire -
  
  • "Well, this is interesting. That man is an undercover policeman working for the TPD, and it seems he is here to spy on Viceroy, in the event that he does anything illegal, but ICA sources indicate that Viceroy has already been alerted to his presence by a mole in the police, and intends to out him in front of everybody. Sounds like trouble, we could relieve the poor rookie of his duties."
  • If you get the undercover officer's outfit, you can approach Viceroy who will laugh and guide you up onto stage. He will then start proclaiming that you are an undercover cop, thank you for you service, and to come up to his room for a drink and a "chat". You can either A) follow him up to the room, whereupon he will sit down and offer you a drink. He gets a phone call, will walk to the window, and the prompt to "Switch Glasses" will come up. After the phone call, Viceroy will invite you to drink, saying cheers (47 will stand and stare at him as they both have a drink), and keel over in agony and die, seizing on the floor. It turns out her poisoned your drink, but you did a bit of the old switcheroo. Or B) rig the disco ball so it falls down when he slams the mic stand down on the stage.

G

1. Aussie + Ted’s Great Adventure (Director: Shuki Levy)
2. Bomb! (Director: Antonio de Santos)
3. Curious George II: Follow That Monkey! (Director: Norton Virgien)
4. Hachi: A Dog’s Tale (Director: Lasse Hallström)
5. Hannah Montana: The Movie (Director: Peter Chelsom)
6. Jack And The Beanstalk (Director: Gary J. Tunnicliffe)
7. Kikkerdril (Director: Simone van Dusseldorp)
8. Mandie + The Secret Tunnel (Directors: Joy Chapman + Owen Smith)
9. Opposite Day (Director: R. Michael Givens)
10. Pelle Politibil går i vannet (Rasmus A. Sivertsen)
11. Sam Steele and the Junior Detective Agency (Director: Tom Whitus)
12. The Legacy (Director: Bernard Émond)
13. The Mighty Macs (Director: Tim Chambers)
14. The Princess And The Frog (Directors: Ron Clements + John Musker)
15. The Strawberry Shortcake Movie: Sky's the Limit (Directors: David Mucci Fassett + Michael Hack)
16. The True Story Of Puss ‘N Boots (Directors: Jérôme Deschamps, Pascal Hérold + Macha Makeïeff)
17. The Velveteen Rabbit (Director: Michael Landon, Jr.)
18. The Wild Stallion (Director: Craig Clyde)
19. Tinker Bell And The Lost Treasure (Director: Klay Hall)
20. Trail Of The Panda (Director: Zhong Yu)

PG

1. A Christmas Carol (Director: Robert Zemeckis)
2. A Little Bit Of Faith (Director: Tiana Hailey)
3. A Shine Of Rainbows (Director: Vic Sarin)
4. Adam (Director: Joseph Minasi)
5. Alabama Moon (Director: Tim McCanlies)
6. Alien Trespass (Director: R.W. Goodwin)
7. Aliens In The Attic (Director: John Schultz)
8. Alvin + The Chipmunks: The Squeakquel (Director: Betty Thomas)
9. Amargura (Director: Antonio de Santos)
10. Amelia (Director: Mira Nair)
11. Arthur and the Revenge of Maltazard (Director: Luc Besson)
12. Astro Boy (Director: David Bowers)
13. Babysitters Beware (Director: Douglas Horn)
14. Bandslam (Director: Todd Graff)
15. Bigfoot (Director: Kevin Tenney)
16. Bride Wars (Director: Gary Winick)
17. Bright Star (Director: Jane Campion)
18. Broken Hill (Director: Dagen Merrill)
19. C Me Dance (Director: Greg Robbins)
20. Cairo Time (Director: Ruba Nadda)
21. Call Of The Wild (Director: Richard Gabai)
22. Cayman Went (Director: Bobby Sheehan)
23. Christmas Angel (Director: Brian Brough)
24. Christmas In Beverly Hills (Director: Neri Parenti)
25. Cloudy With A Chance Of Meatballs (Directors: Phil Lord + Christopher Miller)
26. Confessions Of A Shopaholic (Director: P.J. Hogan)
27. Coraline (Director: Henry Selick)
28. Coyote County Loser (Director: Jason Naumann)
29. Disco Cops: The Movie (Director: Tanner Robbins)
30. Dragonball: Evolution (Director: James Wong)
31. Earthwork (Director: Chris Ordal)
32. Faces (Director: Thomas R. Dickens)
33. Fame (Director: Kevin Tancharoen)
34. Fantastic Mr. Fox (Director: Wes Anderson)
35. From Time To Time (Director: Julian Fellowes)
36. G-Force (Director: Hoyt Yeatman)
37. A Ted Named Gooby (Gooby) (Director: Wilson Coneybeare)
38. Harry Potter + The Half-Blood Prince (Director: David Yates)
39. Heiran (Director: Shalizeh Arefpoor)
40. Hiroshima (Director: Pablo Stoll)
41. Hotel For Dogs (Director: Thor Freudenthal)
42. Ice Age: Dawn Of The Dinosaurs (Directors: Carlos Saldanha + Mike Thurmeier)
43. If God Wants (Director: Arthur Diennet)
44. Jump (Director: Stephen Fung)
45. Little Hercules (in 3-D) (Director: Mohamed Khashoggi)
46. Looking For Jackie (Directors: Gangliang Fang + Ping Jiang)
47. Lost In The Woods (Director: Jim Wynorski)
48. Luke And Lucy: The Texas Rangers (Directors: Wim Bien + Mark Mertens)
49. Mao’s Last Dancer (Director: Bruce Beresford)
50. Minor Details (Director: John Lyde)
51. Monsters vs. Aliens (Directors: Rob Letterman + Conrad Vernon)
52. Nativity! (Director: Debbie Isitt)
53. New In Town (Director: Jonas Elmer)
54. Night At The Museum: Battle Of The Smithsonian (Director: Shawn Levy)
55. Old Dogs (Director: Walt Becker)
56. One Good Man (Director: Christian Vuissa)
57. Party Time: The Movie (Director: Juanma Fernández-Paris)
58. Paul Blart: Mall Cop (Director: Steve Carr)
59. Pedro (Director: undisclosed)
60. Planet 51 (Directors: Jorge Blanco, Javier Abad + Marcos Martínez)
61. Princess Kaiulani (Director: Marc Forby)
62. Race To Witch Mountain (Director: Andy Fickman)
63. Raising Kayn (Director: Colton Tran)
64. Right Hand Drive (Director: Mark Kalbskopf)
65. Seafoam + Salmon (Director: Sarah Kim)
66. Shadows Of The Past (Director: Warren Ryan)
67. Shannon’s Rainbow (Director: Frank E. Johnson)
68. Shorts (Director: Robert Rodriguez)
69. Silent Nights (Director: Tom Poehlmann)
70. Sticky Fingers (Director: Ken Scott)
71. Summer Wars (Director: Mamoru Hosoda)
72. Super Capers: The Origins of Ed and the Missing Bullion (Director: Ray Griggs)
73. The Bee (Director: David Rountree)
74. The Dolphin: Story Of A Dreamer (Director: Eduardo Schuldt)
75. The Last Passport (Directors: Kent Smith + David Temple)
76. The Lightkeepers (Director: Daniel Adams)
77. The Lost + Found Family (Director: Barnet Bain)
78. The Perfect Game (Director: William Dear)
79. The Pink Panther II (Director: Harald Zwart)
80. The Prodigy (Director: Robert D. Hanna)
81. The Search (Director: Perna Tseden)
82. The Stinkville Monster (Director: Tony Trombo)
83. The Three Investigators and the Secret of Terror Castle (Director: Florian Baxmeyer)
84. The Young Victoria (Director: Jean-Marc Vallée)
85. Toys In The Attic (Directors: Jirí Barta + Vivian Schilling)
86. Up (Director: Pete Docter + Bob Peterson)
87. When North Winds Blow (Director: James M. De Vince)
88. Where The Wild Things Are (Director: Spike Jonze)
89. Wild Grass (Director: Alain Resnais)

PG-13

1. 12 Rounds (Director: Renny Harlin)
2. 17 Again (Director: Burr Steers)
3. 2012 (Director: Roland Emmerich)
4. 3 Idiots (Director: Rajkumar Hirani)
5. (500) Days Of Summer (Director: Marc Webb)
6. 9 (Director: Shane Acker)
7. A Secret Promise (Director: Fred Manocherian)
8. A Serious Man (Director: Joel Coen)
9. According To Greta (Director: Nancy Bardawil)
10. Adam (Director: Max Mayer)
11. After Last Season (Director: Mark Region)
12. All About Steve (Director: Phil Traill)
13. All Ages Night (Director: Nancy Montuori Stein)
14. All For Liberty (Director: Chris Weatherhead)
15. All’s Faire In Love (Director: Scott Marshall)
16. Amor y Frijoles (Directors: Mathew Kodath + Hernan Pereira)
17. Amreeka (Director: Cherien Dabis)
18. An Education (Director: Lone Scherfig)
19. Angels + Demons (Director: Ron Howard)
20. Armored (Director: Nimród Antal)
21. Avatar (Director: James Cameron)
22. B-Girl (Director: Emily Dell)
23. Better The Devil You Know (Director: Greg Augustine)
24. Beyond A Reasonable Doubt (Director: Peter Hyams)
25. Black Sheep (Director: Humberto Hinojosa Ozcariz)
26. Black + Blue (Director: Jill Maxcy)
27. Bounty (Director: Jared Isham)
28. Bran Nue Dae (Director: Rachel Perkins)
29. Carriers (Directors: David Pastor + Àlex Pastor)
30. Chandni Chowk To China (Director: Nikkhil Advani)
31. Cirque du Freak: The Vampire's Assistant (Director: Paul Weitz)
32. City Island (Director: Raymond De Felitta)
33. Coco Before Chanel (Director: Anne Fontaine)
34. Cold Souls (Director: Sophie Barthes)
35. Couples Retreat (Director: Peter Billingsley)
36. Creation (Director: Jon Amiel)
37. Dance Flick (Director: Damien Dante Wayans)
38. Dear Lemon Lima (Director: Suzi Yoonessi)
39. Did You Hear About The Morgans? (Director: Marc Lawrence)
40. Drag Me To Hell (Director: Sam Raimi)
41. Dragon Hunter (Director: Stephen Shimek)
42. Duplicity (Director: Tony Gilroy)
43. Echelon Conspiracy (Director: Greg Marcks)
44. Endgame (Director Pete Travis)
45. Everybody’s Fine (Director: Kirk Jones)
46. Fanboys (Director: Kyle Newman)
47. Farzaneh (Director: David Brokhim)
48. Fast + Furious (Director: Justin Lin)
49. Father And Guns (Director: Émile Gaudreault)
50. Fighting (Director: Dito Montiel)
51. Fire From Below (Directors: Andrew Stevens + Jim Wynorski)
52. Fired Up! (Director: Will Gluck)
53. Flying By (Director: Jim Amatulli)
54. For Sale By Owner (Director: Robert J. Wilson)
55. Forget (Director: Jacob Landis-Eigsti)
56. Frequently Asked Questions About Time Travel (Director: Gareth Carrivick)
57. From Mexico With Love (Director: Jimmy Nickerson)
58. G.I. Joe: The Rise Of Cobra (Director: Stephen Sommers)
59. Gentlemen Broncos (Director: Jared Hess)
60. Get Low (Director: Aaron Schneider)
61. Ghosts Of Girlfriends Past (Director: Mark Waters)
62. God Send Me A Man (Directors: Emmbre Perry + Curtis Von)
63. God, Me...HIV? One Man Show (Directors: Devin T. Robinson + Darien F. Rodriguez)
64. Grilling Bobby Hicks (Director: Tommy Wood)
65. H2O Extreme (Director: William Scharpf)
66. He’s Just Not That Into You (Director: Ken Kwapis)
67. Hell’s Fury: Wanted Dead Or Alive (Director: Alan Chan)
68. HER (Directors: Tyrone Tann + Omega Kayne)
69. Hillbilly Bob Zombie (Director: Ray Basham)
70. Hurricane Season (Director: Tim Story)
71. I Can Do Bad All By Myself (Director: Tyler Perry)
72. I Hate Valentine’s Day (Director: Nia Vardalos)
73. I Love You, Beth Cooper (Director: Chris Columbus)
74. Imagine That (Director: Karey Kirkpatrick)
75. Invictus (Director: Clint Eastwood)
76. Irene In Time (Director: Henry Jaglom)
77. It’s A Mismatch (Director: Ajmal Zaheer Ahmad)
78. Julie + Julia (Director: Nora Ephron)
79. Karma Calling (Director: Sarba Das)
80. Knowing (Director: Alex Proyas)
81. Labor Pains (Director: Lara Shapiro)
82. Land Of The Lost (Director: Brad Silberling)
83. Like Dandelion Dust (Director: Jon Gunn)
84. Love Happens (Director: Brandon Camp)
85. Love Hurts (Director: Barra Grant)
86. Love N’ Dancing (Director: Robert Iscove)
87. Lurking Under Life (Director: William Conrad)
88. Mack Hanglider (Directors: Mark Macaluso + Peter Macaluso)
89. Madea Goes To Jail (Director: Tyler Perry)
90. Mega Diva (Director: Roberto Angel Salcedo)
91. Mexican Gold (Director: Chuck Walker)
92. Monster Beach Party (Director: Jay Wade Edwards)
93. Motherhood (Director: Katherine Dieckmann)
94. My Life In Ruins (Director: Donald Petrie)
95. My One And Only (Director: Richard Loncraine)
96. My Sister’s Keeper (Director: Nick Cassavetes)
97. Nine (Director: Rob Marshall)
98. Ninja Masters (Director: Xin Xin Xiong)
99. No Greater Love (Director: Brad J. Silverman)
100. Nobody (Director: Rob Perez)
101. Not Easily Broken (Director: Bill Duke)
102. Not Since You (Director: Jeff Stephenson)
103. Nowhere To Hide (Director: John Murlowski)
104. Obsessed (Director: Steve Shill)
105. Ondine (Director: Neil Jordan)
106. Oy Vey! My Son Is Gay!! (Director: Evgeny Afineevsky)
107. Palo Pinto Gold (Director: Anthony Henslee)
108. Paper Heart (Director: Nicholas Jasenovec)
109. Partners (Director: Peter James Iengo)
110. Passport To Love (Director: Victor Vu)
111. Pastor Browne (Director: Rockmond Dunbar)
112. Pennsylvania Is For Lovers (Director: Mickey Reece)
113. Play The Game (Director: Marc Fienberg)
114. Poema de salvación (Director: Brian Dublin)
115. Poker Run (Director: Julian Higgins)
116. Post Grad (Director: Vicky Jenson)
117. Push (Director: Paul McGuigan)
118. Ripples (Director: Marc Williams)
119. Rock Slyde (Director: Chris Dowling)
120. Royal Kill (Director: Babar Ahmed)
121. Sabotage (Director: Reza Sixo Fafai)
122. Sherlock Holmes (Director: Guy Ritchie)
123. Something Blue (Directors: Sean Dillon + Curtis Krick)
124. Spyware (Director: Grant Richards)
125. Star Quest (Director: Jon Bonnell)
126. Star Trek (Director: J.J. Abrams)
127. State Of Play (Director: Kevin McDonald)
128. Stay Cool (Director: Michael Polish)
129. Steppin: The Movie (Director: Michael Taliferro)
130. Street Fighter: The Legend Of Chun-Li (Director: Andrzej Bartkowiak)
131. Sugarland (Director: Kenny Fisher)
132. Surrogates (Director: Jonathan Mostow)
133. Terminator: Salvation (Director: McG)
134. That Evening Sun (Director: Scott Teems)
135. The Blind Side (Director: John Lee Hancock)
136. The Box (Director: Richard Kelly)
137. The Boys Are Back (Director: Scott Hicks)
138. The Break-Up Artist (Director: Steve Woo)
139. The City Of Your Final Destination (Director: James Ivory)
140. The Concert (Director: Radu Mihaileanu)
141. The Deported (Director: Lance Kawas)
142. The Fourth Kind (Director: Olatunde Osunsanmi)
143. The Greatest Song (Director: Sarah Poindexter)
144. The Gun (Director: Julio Alvarez)
145. The Haunting In Connecticut (Director: Peter Cornwell)
146. The Hole (Director: Joe Dante)
147. The Imaginarium Of Doctor Parnassus (Director: Terry Gilliam)
148. The Indian (Director: Ineke Houtman)
149. The Invention Of Lying (Directors: Ricky Gervais + Matthew Robinson)
150. The Jerk Theory (Director: Scott S. Anderson)
151. The Least Among You (Director: Mark Young)
152. The Lovely Bones (Director: Peter Jackson)
153. The Maiden Heist (Director: Peter Hewitt)
154. The Marc Pease Experience (Director: Todd Louiso)
155. The New Daughter (Director: Luiso Berdejo)
156. The Open Road (Director: Michael Meredith)
157. The Proposal (Director: Anne Fletcher)
158. The Shortcut (Director: Nicholaus Goossen)
159. The Six Wives Of Henry Lefay (Director: Howard Michael Gould)
160. The Smell Of Success (Director: Michael Polish)
161. The Soloist (Director: Joe Wright)
162. The Stepfather (Director: Nelson McCormick)
163. The Storm Warriors (Directors: Danny Pang + Oxide Chun Pang)
164. The Strip (Director: Jameel Khan)
165. The Time Traveler’s Wife (Director: Robert Schwentke)
166. The Twilight Saga: New Moon (Director: Chris Weitz)
167. The Unborn (Director: David S. Goyer)
168. The Uninvited (Directors: Charles Guard + Thomas Guard)
169. The Way (Director: Vladimir Pasichnik)
170. The Winning Season (Director: Jim Strouse)
171. The Yankles (Director: David R. Brooks)
172. To Save A Life (Director: Brian Baugh)
173. Transformers: Revenge Of The Fallen (Director: Michael Bay)
174. Under The Mountain (Director: Jonathan King)
175. Whatever Works (Director: Woody Allen)
176. Where The Lotus Blooms (Director: Metrey Keo)
177. Whip It (Director: Drew Barrymore)
178. White Wedding (Director: Jann Turner)
179. White On Rice (Director: Dave Boyle)
180. Wild About Harry (Director: Gwen Wynne)
181. X-Men Origins: Wolverine (Director: Gavin Hood)
182. Year One (Director: Harold Ramis)
183. You Are Not The Father! (Director: Gerron DelValle)

R

1. (Untitled) (Director: Jonathan Parker)
2. 21 + a Wake Up (Director: Chris McIntyre)
3. 31 North 62 East (Director: Tristan Loraine)
4. 44 Inch Chest (Director: Malcolm Venville)
5. A Heavenly Vintage (Director: Niki Caro)
6. A Perfect Getaway (Director: David Twohy)
7. A Prophet (Director: Jacques Audiard)
8. A Single Man (Director: Tom Ford)
9. A Vampire’s Tale (Director: Drew Cullingham)
10. A Woman, A Gun + A Noodle Shop (Director: Yimou Zhang)
11. Accidents Happen (Director: Andrew Lancaster)
12. Across The Hall (Director: Alex Merkin)
13. Adopted (Director: Pauly Shore)
14. Adventureland (Director: Greg Mottola)
15. After.Life (Director: Agnieszka Wojtowicz-Vosloo)
16. Against The Current (Director: Peter Callahan)
17. Agora (Director: Alejandro Amenábar)
18. Albino Farm (Director: Joe Anderson)
19. All American Orgy (Director: Andrew Drazek)
20. Alpha Males Experiment (Knuckle Draggers) (Director: Alex Ranarivelo)
21. Amar (Director: Jorge Ramírez Suárez)
22. Amar a morir (Director: Fernando Lebrija)
23. American Cowslip (Director: Mark David)
24. American Virgin (Director: Clare Kilner)
25. Angel Of Death (Director: Paul Etheredge)
26. Anytown (Director: Dave Rodriguez)
27. Applause (Director: Martin Zandvliet)
28. April Showers (Director: Andrew Robinson)
29. Assault Of The Sasquatch (Director: Andrew Gernhard)
30. Attack On Darfur (Director: Uwe Boll)
31. Autumn (Director: Steven Rumbelow)
32. Away We Go (Director: Sam Mendes)
33. Baby On Board (Director: Brian Herzlinger)
34. Bad Lieutenant: Port Of Call - New Orleans (Director: Werner Herzog)
35. Baja Beach Bums (Director: Patrick Healy)
36. Balls Out: Gary The Tennis Coach (Director: Danny Leiner)
37. Bangkok Adrenaline (Director: Raimund Huber)
38. Bazookas: The Movie (Director: Michael G. Leonard)
39. Beautiful (Director: Dean O’Flaherty)
40. Beautiful Kate (Director: Rachel Ward)
41. Beauty + The Beast (Director: David Lister)
42. Behaving Badly (Director: Juan Drago)
43. Big Fan (Director: Robert D. Siegel)
44. Bitch Slap (Director: Rick Jacobson)
45. Black (Director: Pierre Laffargue)
46. Black Dynamite (Director: Scott Sanders)
47. Blackface Killer (Director: Michael Fredianelli)
48. Bled (Director: Christopher Hutson)
49. Blood Creek (Director: Joel Schumacher)
50. Blood Night: The Legend Of Mary Hatchet (Director: Frank Sabatella)
51. Blood + Bone (Director: Ben Ramsey)
52. Blood: The Last Vampire (Director: Chris Nahon)
53. Bob Funk (Director: Craig Carlisle)
54. Boogie Woogie (Director: Duncan Ward)
55. Book Of Blood (Director: John Harrison)
56. Breaking Point (Director: Jeff Celentano)
57. Broken Embraces (Director: Pedro Almodóvar)
58. Brooklyn’s Finest (Director: Antoine Fuqua)
59. Brother’s War (Director: Jerry Buteyn)
60. Brotherhood (Director: Nicolo Donato)
61. Brothers (Director: Jim Sheridan)
62. Brüno (Director: Larry Charles)
63. Cabin Fever II: Spring Fever (Director: Ti West)
64. Calvin Marshall (Director: Gary Lundgren)
65. Case 39 (Director: Christian Alvart)
66. Chain Letter (Director: Deon Taylor)
67. Chaw (Director: Jeong-won Shin)
68. Chicago Overcoat (Director: Brian Caunter)
69. Chloe (Director: Atom Egoyan)
70. Chéri (Director: Stephen Frears)
71. City Of Life + Death (Director: Chuan Lu)
72. Clash (Director: Thanh Son Le)
73. Coco Chanel + Igor Stravinsky (Director: Jan Kounen)
74. Cold Storage (Director: Tony Elwood)
75. Command Performance (Director: Dolph Lundgren)
76. Cornered! (Director: Daniel Maze)
77. Cracks (Director: Jordan Scott)
78. Crank: High Voltage (Directors: Mark Neveldine + Brian Taylor)
79. Crazy Heart (Director: Scott Cooper)
80. Creature Of Darkness (Director: Mark Stouffer)
81. Crimes Of The Past (Director: Garrett Bennett)
82. Crossing Over (Director: Wayne Kramer)
83. Crush (Directors: Jeffrey Gerritsen + John V. Soto)
84. Crush (Director: Michelle Fridley)
85. Cyber Ninja (Director: James Arnett)
86. Damage (Director: Jeff King)
87. Damned By Dawn (Director: Brett Anstey)
88. Dare (Director: Adam Salky)
89. Dark Country (Director: Thomas Jane)
90. Dark Fields (Director: Douglas Schulze)
91. Dark Frontier (Director: Kriv Stenders)
92. Dark House (Director: Darin Scott)
93. Dark Moon Rising (Director: Dana Mennie)
94. Daybreakers (Directors: Michael Spierig + Peter Spierig)
95. Dead Man Running (Director: Alex De Rakoff)
96. Deadland (Director: Damon O’Steen)
97. Deadline (Director: Sean McConville)
98. Death Warrior (Director: Bill Corcoran)
99. Deep In The Valley (Director: Christian Forte)
100. Defendor (Director: Peter Stebbings)
101. Desert Flower (Director: Sherry Hormann)
102. Diagnosis: Death (Director: Jason Stutter)
103. Direct Contact (Director: Danny Lerner)
104. Dismal (Director: Gary King)
105. District 13: Ultimatum (Director: Patrick Alessandrin)
106. District 9 (Director: Neill Blomkamp)
107. Dolan’s Cadillac (Director: Jeff Beesley)
108. Don McKay (Director: Jake Goldberger)
109. Don’t Let Me Down (Director: Cruz Angeles)
110. Don’t Look Up (Director: Fruit Chan)
111. Dorian Gray (Director: Oliver Parker)
112. Double Identity (Director: Dennis Dimster)
113. Down Terrace (Director: Ben Wheatley)
114. Down For Life (Director: Alan Jacobs)
115. Dread (Director: Anthony DiBlasi)
116. Drifter: Henry Lee Lucas (Director: Michael Feifer)
117. Elsewhere (Director: Nathan Hope)
118. End Game (Director: Bruce Koehler)
119. Endless Bummer (Director: Sam Pillsbury)
120. Evil Things (Director: Dominic Perez)
121. Extract (Director: Mike Judge)
122. Eyeborgs (Director: Richard Clabaugh)
123. Eyes Of The Woods (Directors: Darrin Reed, F. Miguel Valenti + Mark Villalobos)
124. Falling Awake (Director: Agustin)
125. Fatal Secrets (Director: Meir Sharony)
126. Finding Bliss (Director: Julie Davis)
127. Fireball (Director: Thanakorn Pongsuwan)
128. Five Minutes Of Heaven (Director: Oliver Hirschbiegel)
129. Force Of Five (Director: Krissanapong Rachata)
130. Forget Me Not (Director: Tyler Oliver)
131. Formosa Betrayed (Director: Adam Kane)
132. Four Boxes (Director: Wyatt McDill)
133. Frankenhood (Director: Blaxwell Smart)
134. Frat Party (Director: Robert Bennett)
135. Friday The 13th (Director: Marcus Nispel)
136. Frozen Kiss (Director: Harry Bromley Davenport)
137. Funny People (Director: Judd Apatow)
138. Fury (Director: Liz Lehmann)
139. Gamer (Directors: Mark Neveldine + Brian Taylor)
140. Ghost Machine (Director: Chris Hartwill)
141. Ghost Month (Director: Danny Draven)
142. Giallo (Director: Dario Argento)
143. Give ‘em Hell Malone (Director: Russell Mulcahy)
144. Glorious 39 (Director: Stephen Poliakoff)
145. Good Guys Finish Last (Director: Riley Wood)
146. Grace (Director: Paul Solet)
147. Halloween II (Director: Rob Zombie)
148. Handsome Harry (Director: Bette Gordon)
149. Happy Tears (Director: Mitchell Lichtenstein)
150. Hard Times (Director: Tom Reeve)
151. Hardwired (Director: Ernie Barbarash)
152. Harry Brown (Director: Daniel Barber)
153. Heavy Weight On The Block (Director: F. Terrell Johnson)
154. Helen (Director: Sandra Nettelbeck)
155. Hellbinders (Directors: Mitch Gould, Hiro Koda + David Wald)
156. Heroes (Director: Malcolm Brooks)
157. Hidden (Director: Pål Øie)
158. Hierarchy (Director: Michael Fredianelli)
159. High Life (Director: Gary Yates)
160. Homecoming (Director: Morgan J. Freeman)
161. Horsemen (Director: Jonas Åkerlund)
162. House Broken (Director: Sam Harper)
163. Humpday (Director: Lynn Shelton)
164. Hunger (Director: Steven Hentges)
165. Hurt (Director: Barbara Stepansky)
166. I Am Love (Director: Luca Guadagnino)
167. I Do...I Did! (Director: J. Jesses Smith)
168. I Hope They Serve Beer In Hell (Director: Bob Gosse)
169. I Love You Phillip Morris (Directors: Glenn Ficarra + John Requa)
170. I Love You Too (Director: Nerlin Stfleur)
171. I Love You, Man (Director: John Hamburg)
172. Ibrahim Labyad (Director: Marwan Hamed)
173. Ikenhisu: To Kill With One Blow (Director: La’Mard J. WIngster)
174. Immortally Yours (Director: Joe Tornatore)
175. In Her Skin (Director: Simone North)
176. In The Electric Mist (Director: Bertrand Tavernier)
177. In The Eyes Of A Killer (Director: Louis Mandylor)
178. InSearchOf (Director: Zeke Zelker)
179. Infestation (Director: Kyle Rankin)
180. Ingenious (Director: Jeff Balsmeyer)
181. Inglourious Basterds (Director: Quentin Tarantino)
182. Into Temptation (Director: Patrick Coyle)
183. It’s Complicated (Director: Nancy Meyers)
184. Jarring (Director: Ivo Raza)
185. Jennifer’s Body (Director: Karyn Kusama)
186. Johnny Boy (Directors: Mickey Reece + James Paulsgrove)
187. Jordan Saffron: Taste This! (Director: Sergio Myers)
188. Just Another Day (Director: Peter Spirer)
189. Kicking The Dog (Director: Randy Scooter Lammey)
190. Kill Peter, Pay Paul (Directors: Kenny Foster + Dustin S. Massie)
191. Kill Theory (Director: Chris Moore)
192. Killer View (Director: Brian James O’Connell)
193. Knife Edge (Director: Anthony Hickox)
194. Know Thy Enemy (Director: Lee Cipolla)
195. La Linea (The Line) (Director: James Cotton)
196. La Mission (Director: Peter Bratt)
197. La soga (Director: Josh Crook)
198. Laid To Rest (Director: Robert Hall)
199. Last Day Of Summer (Director: Vlad Yudin)
200. Law Abiding Citizen (Director: F. Gary Gray)
201. Leaves Of Grass (Director: Tim Blake Nelson)
202. Lebanon (Director: Samuel Maoz)
203. Legend Of The Bog (Director: Brendan Foley)
204. Lies + Illusions (Director: Tibor Takács)
205. Life During Wartime (Director: Todd Solondz)
206. Life Is Hot In Cracktown (Director: Buddy Giovinazzo)
207. Little Fish, Strange Pond (Director: Gregory Dark)
208. Little New York (Director: James DeMonaco)
209. Lofty Intentions (Director: Gerard Jamroz)
210. Lost Angels (Director: Justin Voskian)
211. Love Conquers Paul (Director: Colin Bannon)
212. Love And Other Impossible Pursuits (Director: Don Roos)
213. Love At First Hiccup (Director: Barbara Topsøe-Rothenborg)
214. Loyalty The Movie (Director: Samuel Wheeler III)
215. Lynch Mob (Director: Byron Conrad Erwin)
216. Malice In Wonderland (Director: Simon Fellows)
217. Mandrill (Director: Ernesto Díaz Espinoza)
218. Maneater (Director: Michael Emanuel)
219. Manson: My Name Is Evil (Director: Reginald Harkema)
220. Map Of The Sounds Of Tokyo (Director: Isabel Coixet)
221. Merantau (Director: Gareth Evans)
222. Mercy (Director: Patrick Hoelck)
223. Micmacs (Director: Jean-Pierre Jeunet)
224. Middle Men (Director: George Gallo)
225. Midgets vs. Mascots (Director: Ron Carlson)
226. Miss March (Directors: Zach Cregger + Trevor Moore)
227. Moon (Director: Duncan Jones)
228. Mortal Sin (Director: David Von Roehm)
229. Mother (Director: Bong Joon Ho)
230. Mother + Child (Director: Rodrigo Garcia)
231. Mr. Nobody (Director: Jaco Van Dormael)
232. Mutants (Director: David Morlet)
233. My Bloody Valentine (in 3-D) (Director: Patrick Lussier)
234. My Son, My Son, What Have Ye Done? (Director: Werner Herzog)
235. Mystery Train (Director: Dan Eckman)
236. Mythical Creatures (Director: Mickey Reece)
237. Neighbor (Director: Robert A. Masciantonio)
238. Never Surrender (Director: Hector Echavarria)
239. New Brooklyn (Director: Christopher Cannucciari)
240. Next Day Air (Director: Benny Boom)
241. Night Train (Director: Brian King)
242. Night Of The Demons (Director: Adam Gierasch)
243. Ninja (Director: Isaac Florentine)
244. Ninja Assassin (Director: James McTeigue)
245. No Boundaries (Directors: Violet Mendoza + Jake Willing)
246. Not Forgotten (Director: Dror Soref)
247. Notorious (Director: George Tillman, Jr.)
248. Nowhere Boy (Director: Sam Taylor-Johnson)
249. Observe And Report (Director: Jody Hill)
250. Offspring (Director: Andrew van den Houten)
251. Open Graves (Director: Álvaro de Armiñán)
252. Orphan (Director: Jaume Collet-Serra)
253. Orville (Director: Craig McMahon)
254. Pandemic (Director: Jason Connery)
255. Pandorum (Director: Christian Alvart)
256. Paper Man (Directors: Kieran Mulroney + Michele Mulroney)
257. Perkins’ 14 (Director: Craig Singer)
258. Perrier’s Bounty (Director: Ian Fitzgibbon)
259. Personal Effects (Director: David Hollander)
260. Pirate Radio (Director: Richard Curtis)
261. Powder Blue (Director: Timothy Linh Bui)
262. Precious (Director: Lee Daniels)
263. Protégé (Directors: Shannon Casto + Michelle Henderson)
264. Public Enemies (Director: Michael Mann)
265. Raging Phoenix (Director: Rashane Limtrakul)
266. Rain Fall (Director: Max Mannix)
267. Rampage (Director: Uwe Boll)
268. Ratko: The Dictator’s Son (Directors: Savage Steve Holland + Kevin Speckmaier)
269. Ready For Not (Director: Sean Doyle)
270. [rec.] II (Directors: Jaume Balagueró + Paco Plaza)
271. Red Hook (Director: Elizabeth Lucas)
272. Red Sands (Director: Alex Turner)
273. Redemption (Director: Robert Conway)
274. Revenge: True Story (Director: Berenika Maciejewicz)
275. Reykjavik Whale Watching Massacre (Director: Júlíus Kemp)
276. RiffRaff (Director: Justen Naughton)
277. Robodoc (Director: Stephen Maddocks)
278. Rough Winds (Director: Andrea Olabarría)
279. Running On Empty Dreams (Director: Nitara Lee Osbourne)
280. S. Darko (Director: Chris Fisher)
281. Saddle Up With Dick Wrangler + Injun Joe (Director: Todd Wolfe)
282. Saint John Of Las Vegas (Director: Hue Rhodes)
283. Saving Grace B. Jones (Director: Connie Stevens)
284. Saw VI (Director: Kevin Greutert)
285. Serious Moonlight (Director: Cheryl Hines)
286. Shank (Directors: Simon Pearce + Christian martin)
287. Shark City (Director: Dan Eisen)
288. Shattered Focus (Director: Joshua Tolby)
289. Shinjuku Incident (Director: Tung-Shing Yee)
290. Shrink (Director: Jonas Pate)
291. Shroud (Director: David Jetre)
292. Silent Night, Zombie Night (Director: Sean Cain)
293. Silent Shame (Director: Juan Frausto)
294. Sin Nombre (Director: Cary Joji Fukunaga)
295. Slaughter (Director: Stewart Hopewell)
296. Slave (Director: Darryn Welch)
297. Smalltimore (Director: Jeanie M. Clark)
298. Smile Pretty (Director: Harry Bromley Davenport)
299. Solitary Man (Directors: Brian Koppelman + David Levien)
300. Solomon Kane (Director: Michael J. Bassett)
301. Sorority Row (Director: Stewart Hendler)
302. Splice (Director: Vincenzo Natali)
303. Splinterheads (Director: Brant Sersen)
304. Spooner (Director: Drake Doremus)
305. Spread (Director: David Mackenzie)
306. Spring Breakdown (Director: Ryan Shiraki)
307. Stan Helsing (Director: Bo Zenga)
308. Stolen (Director: Anders Anderson)
309. Strangers Online (Director: John Huckert)
310. Street Boss (Director: Lance Kawas)
311. Street Dreams (Director: Chris Zamoscianyk)
312. Streetballers (Director: Matt Krentz)
313. Stuntmen (Director: Eric Amadio)
314. Suck (Director: Rob Stefaniuk)
315. Sugar Boxx (Director: Cody Jarrett)
316. Summer’s Moon (Director: Lee Demarbre)
317. Sundo (Director: Topel Lee)
318. Survival Of The Dead (Director: George A. Romero)
319. Sutures (Director: Tammi Sutton)
320. Sway (Director: Sean Ireland)
321. Sweet Karma (Director: Andrew Thomas Hunt)
322. Sword Of War (Director: Renzo Martinelli)
323. Table For Three (Director: Michael Samonek)
324. Taking Chances (Director: Talmage Cooley)
325. Taking Woodstock (Director: Ang Lee)
326. Tanner Hall (Directors: Francesca Gregorini + Tatiana von Furstenberg)
327. Tell Tale (Director: Michael Cuesta)
328. Tenderness (Director: John Polson)
329. Tetro (Director: Francis Ford Coppola)
330. The 420 Movie (Directors: James Blackburn, Scott Flick, + Robert Nathan Gleason)
331. The Answer Man (Director: John Hindman)
332. The Assailant (Director: João Daniel Tikhomiroff)
333. The Assassin Next Door (Director: Danny Lerner)
334. The Beacon (Director: Michael Stokes)
335. The Black Waters Of Echo’s Pond (Director: Gabriel Bologna)
336. The Bleeding (Director: Charlie Picerni)
337. The Boondock Saints II: All Saints Day (Director: Troy Duffy)
338. The Boxer (Director: Thomas Jahn)
339. The Bridge To Nowhere (Director: Blair Underwood)
340. The Broken Hearts Club (Director: Angelo Bell)
341. The Brotherhood V: Alumni (Director: David DeCoteau)
342. The Buffalo Son (Directors: Colin Davis, Bryan Felber + Sam France)
343. The Butterfly Effect III: Revelations (Director: Seth Grossman)
344. The Canyon (Director: Richard Harrah)
345. The Casino Job (Director: Christopher Robin Hood)
346. The Collector (Director: Marcus Dunstan)
347. The Cry Of The Owl (Director: Jamie Thraves)
348. The Crypt (Director: Craig McMahon)
349. The Damned United (Director: Tom Hooper)
350. The Dark Lurking (Director: Gregory Connors)
351. The Descent: Part II (Director: Jon Harris)
352. The Devil’s Ground (Director: Michael Bafaro)
353. The Devil’s Tomb (Director: Jason Connery)
354. The Director’s Cut (Director: Paul Komadina)
355. The Disappearance Of Alice Creed (Director: J. Blakeson)
356. The Donner Party (Director: Terrence Martin)
357. The Echo Game (Director: Brian Feeney)
358. The Eclipse (Director: Conor McPherson)
359. The Fighter (Director: Javier Barbera)
360. The Final Destination (Director: David R. Ellis)
361. The Girl Who Kicked The Hornet’s Nest (Director: Daniel Alfredson)
362. The Girl Who Played With Fire (Director: Daniel Alfredson)
363. The Girl With The Dragon Tattoo (Director: Niels Arden Oplev)
364. The Girlfriend Experience (Director: Steven Soderbergh)
365. The Good Guy (Director: Julio DePietro)
366. The Good Heart (Director: Dagur Kári)
367. The Goods: Live Hard, Sell Hard (Director: Neal Brennan)
368. The Graves (Director: Brian Pulido)
369. The Greatest (Director: Shana Feste)
370. The Grudge III (Director: Toby Wilkins)
371. The Gunslingers (Director: Adam Oxsen)
372. The Hangover (Director: Todd Phillips)
373. The Haunting (Director: Elio Quiroga)
374. The Hiding (Director: Ramon Hamilton)
375. The Hitmen Diaries: Charlie Valentine (Director: Jesse V. Johnson)
376. The House Of The Devil (Director: Ti West)
377. The Human Centipede (First Sequence) (Director: Tom Six)
378. The Hungry Ghosts (Director: Michael Imperioli)
379. The Informant! (Director: Steven Soderbergh)
380. The International (Director: Tom Tykwer)
381. The Invisible Chronicles (Director: David DeCoteau)
382. The Janky Promoters (Director: Marcus Raboy)
383. The Job (Director: Shem Bitterman)
384. The Joneses (Director: Derrick Borte)
385. The Keeper (Director: Keoni Waxman)
386. The Killing Room (Director: Jonathan Liebesman)
387. The Last House On The Left (Director: Dennis Iliadis)
388. The Last Resort (Director: Brandon Nutt)
389. The Last Station (Director: Michael Hoffman)
390. The Limb Collector (Director: Mark Daniel Foley)
391. The Limits Of Control (Director: Jim Jarmusch)
392. The Lodger (Director: David Ondaatje)
393. The Lost Tribe (Director: Roel Reiné)
394. The Loved One (Director: Sean Byrne)
395. The Men Who Stare At Goats (Director: Grant Heslov)
396. The Messenger (Director: Oren Moverman)
397. The Ministers (Director: Franc. Reyes)
398. The Nail: The Story Of Joey Nardone (Director: James Quattrochi)
399. The Outside (Director: Ari Davis)
400. The Perfect Age Of Rock ‘n’ Roll (Director: Scott D. Rosenbaum)
401. The Perfect Sleep (Director: Jeremy Alter)
402. The Pool Boys (Director: J.B. Rogers)
403. The Private Lives Of Pippa Lee (Director: Rebecca Miller)
404. The Rebound (Director: Bart Freundlich)
405. The Revenant (Director: D. Kerry Prior)
406. The Road (Director: John Hillcoat)
407. The Scenesters (Director: Todd Berger)
408. The Seamstress (Director: Jesse James Miller)
409. The Secret In Their Eyes (Director: Juan José Campanella)
410. The Slammin’ Salmon (Director: Kevin Heffernan)
411. The Steam Experiment (Director: Philippe Martinez)
412. The Taking Of Pelham 123 (Director: Tony Scott)
413. The Thaw (Director: Mark A. Lewis)
414. The Tomb (Director: Michael Staininger)
415. The Tournament (Director: Scott Mann)
416. The Truth About Average Guys (Directors: Ken Gayton + Jason W. Schaver)
417. The Ugly Truth (Director: Robert Luketic)
418. The Vicious Kind (Director: Lee Toland Krieger)
419. The Waiting City (Director: Claire McCarthy)
420. The Way Of War (Director: John Carter)
421. The White Ribbon (Director: Michael Haneke)
422. Thick As Thieves (Director: Mimi Leder)
423. Thirst (Director: Chan-wook Park)
424. TiMER (Director: Jac Schaeffer)
425. Tidal Wave (Director: JK Youn)
426. Today’s Special (Director: David Kaplan)
427. Tormented (Director: Jon Wright)
428. Trailer Park Boys: Countdown To Liquor Day (Director: Mike Clattenburg)
429. Transylmania (Directors: David Hillenbrand + Scott Hillenbrand)
430. Triage (Director: Danis Tanovic)
431. Triangle (Director: Christopher Smith)
432. Tripping Forward (Director: Marcus Nash)
433. Two (2) Million Stupid Women (Director: Jamie Neese)
434. Ultimate Heist (Director: Alain Tasma)
435. Un tigre en la cama (Director: Rafael Montero)
436. Underworld: Rise Of The Lycans (Director: Patrick Tatopoulos)
437. Universal Soldier: Regeneration (Director: John Hyams)
438. Up In The Air (Director: Jason Reitman)
439. Vampire Killers (Director: Phil Claydon)
440. Veronika Decides To Die (Director: Emily Young)
441. Wake (Director: Ellie Kanner)
442. Wake Wood (Director: David Keating)
443. Walled In (Director: Gilles Paquet-Brenner)
444. Watchmen (Director: Zack Snyder)
445. Weather Girl (Director: Blayne Weaver)
446. What Goes Up (Director: Jonathan Glatzer)
447. Whiteout (Director: Dominic Sena)
448. Wild Cherry (Director: Dana Lustig)
449. Winter Of Frozen Dreams (Director: Eric Mandelbaum)
450. Within (Director: Hanelle M. Culpepper)
451. Within (Director: Marco Duran)
452. Women In Trouble (Director: Sebastian Gutierrez)
453. Wonderful World (Director: Joshua Goldin)
454. Words Unspoken (Director: Ingeborg C. Eiland)
455. World’s Greatest Dad (Director: Bob Goldthwait)
456. Wrong Turn At Tahoe (Director: Franck Khalfoun)
457. You Might As Well Live (Director: Simon Ennis)
458. Youth In Revolt (Director: Miguel Arteta)
459. ZMD: Zombies Of Mass Destruction (Director: Kevin Hamedani)
460. Zombie Women Of Satan (Directors: Steve O’Brien + Warren Speed)
461. Zombieland (Director: Ruben Fleischer)
462. Zone Of The Dead (Directors: Milan Konjevic + Milan Todorovic)

NC-17

1. Easier With Practice (Director: Kyle Patrick Alvarez)